Garrison House is an intact midcentury modern house from 1956, cedar and stone under a flat roof with cantilevered eaves and walls of glass. The original wood paneling and built-ins survive, along with the copper hood over the wood-burning fireplace.

A 1969 community college building on the STLCC Florissant Valley campus, renovated to gather enrollment, financial aid, and advising into one place. A central assembly stair with wood seating tiers links the entry level to the dining and cafe spaces above.

The Obama Presidential Center is a museum and civic campus that occupies the north end of Jackson Park. The tower is concrete clad in New Hampshire granite, with canted corners and a concrete letter screen at the top. The campus also holds a forum, a library branch, and a gymnasium.

The SIUE Health Sciences building unites the university's pharmacy and nursing schools. A new three-story brick structure wraps two existing buildings around a two-story atrium, with terrazzo floor and a preserved facade that forms an interior wall.

144 Vanderbilt is a condominium in Fort Greene, Brooklyn, clad in scalloped pink precast concrete. It steps in and out as it rises, producing private terraces, a sequence of open-air courtyards, and exterior hallways open to daylight.

A neo-brutalist funerary chapel for Catholic Cemeteries of the Archdiocese of St. Louis. Eight curved concrete walls wrap the core and fragment toward the nave, where a round skylight lights the altar.

The Detective Antonio Valentine Building consolidates a St. Louis County police precinct, evidence storage, and intelligence operations in Maryland Heights. The plan bends into two wings, clad in ribbed copper-toned panels drawn from vintage badge colors.

The Ruth Lilly Visitors Pavilion sits on a half-acre floodplain along the White River at Newfields. A slatted wood skin folds continuously from deck to wall to roof, open to light and rain, set within a dense urban woodland.

9 Chapel is a condominium in downtown Brooklyn clad in undulating perforated aluminum panels that screen balconies and terraces while admitting light and air. The mass is broken into offset blocks, and the rippling skin is generated from just three panel types mixed across the elevations.

The Regional Workforce Innovation Center houses St. Charles Community College's advanced manufacturing, robotics, energy, and healthcare programs. Classrooms wrap the high-bay trade shops at the core, where wiring, piping, and ductwork are left exposed and labeled as a teaching tool.

A slim limestone residential skyscraper in Manhattan's Sutton Place, and architect Thomas Juul-Hansen's first tower. Set among the low-rise pre-war buildings along the East River, its angular metallic crown shifts from gray to gold with the light.

Doudna Fine Arts Center is a major renovation and expansion by Antoine Predock, wrapping Eastern Illinois University's original 1958 building inside an addition several times its size. Dark copper sheathes the canted roof and spire, and a concourse threads art, music, and theatre spaces.

DOORWAYS provides housing and supportive services for people living with HIV/AIDS. Three buildings on a three acre campus face the surrounding streets. Bioswales and rain gardens manage stormwater across the sloped site, with a bridge carrying arrival from parking to reception.

An accessory dwelling for a second household in the same family, built as an extension of an existing gabled house on a hilltop lawn.

The Broughton STEAM Center is an addition to The Community School, a preschool through sixth grade campus on eighteen acres in Ladue. Steeply gabled brick volumes recall country-house origins. Inside, the gable becomes a peaked corridor window and a vaulted double-height commons.

Kinetic Park is an accessible adventure park reconceived from a former skatepark. The pavilion contains a climbing wall, esports room, and pickleball court. Outside there are play towers, hillside slides, and a mirrored-steel roof oculus.

A 1936 Lutheran orphanage renovated as Des Peres City Hall. The former service rear, now the public front, steps down through a new brick plaza into the original basement, recast as the public ground floor housing Municipal Court and Public Works.

A six-story parking structure and the front door to the Crystal Bridges Museum of American Art in Bentonville, Arkansas. A cafe and retail occupy the ground floor, with an event terrace and sculpture platform above, and fins color-matched to a 1965 Pontiac Tempest.

A corner park on Cherokee Street that pairs recreation with on-site stormwater management. A plaza and a permeable-asphalt basketball court overlap like a Venn diagram above two-foot storage basins, under a steel and chain-link canopy that glows after dark.

Clifton Court Hall houses the University of Cincinnati's College of Arts and Sciences. Modular terracotta cladding echoes the adjacent historic brick campus, and a sculptural red stair bridges the five-story atrium, extending a campus path into the building.